See You in Hell, My Friend

by

J.C. Schildbach

An impulse buy one morning, exhausted and mildly intoxicated. I worked nights, and so did she—back when we worked at the same place. Whiskey in the morning isn’t all that unusual when morning is your evening…and drinking a lifestyle choice.

I didn’t make the connection until I got it in the mail and thought, ‘Why the hell did I buy this?’

It was a screen-printed sweatshirt, a mock-Christmas sweater, featuring a modified version of the “Sigil of Baphomet”—an inverted pentagram, with the head of “The Goat of Mendes” inside, and the Hebrew for “Leviathan” spelled out, one character between each point of the star.

a-baphomet-xmas

But where was I going to wear this? I wasn’t going to any Christmas parties, and haven’t been in the mood to wear any sort of provocative T-shirts since, maybe, my Dead Kennedy’s “Too Drunk to F*ck” shirt back when I was in college.

Wait…there was also “Thanks a lot, God”…which I printed and sold…a friend’s design.   And a few more are springing up now, including some fart jokes and worse. Let’s just say that within the last decade…wait…I thought of something else. Ok…moving on.

Eventually the fog lifted…Winnie the Pooh worshipping Baphomet…that’s the post she messaged me not four days before she died in her sleep. It came across as a still image, although it was supposed to be a .gif—an altered version of Pooh exercising in front of a mirror.

pooh-baphomet

Her death wasn’t expected at all. She’d had health problems—but not of the terminal kind, as far as I knew—and apparently, as far as she knew.

It wasn’t until roughly two months after she died (and at least 5 months before I ordered that sweatshirt) that the memorial service was held, on her birthday, in the early evening sun of Golden Gardens Park in Seattle.

I was reminded that night that we all know people in different ways. People remembered her as intense and potentially off-putting, while also supportive, nurturing, and teaching. There were tales of wild, dumpster-diving/reach-for-the-brass-ring adventures; and stories of sage advice, a kind word, a wisely snide comment.

Some minor celebrities were there…people whose work I knew, and admired.

I kept quiet…mostly.

The last time I saw her—in real life/face to face—was when we went out to breakfast at a dive up the road from where we worked. She had taken a new position, and was moving off the grave shifts we shared. We were celebrating her new position, and the end of our overnight shifts together.   We enjoyed Bloody Marys, Biscuits and Gravy, and hash browns.

(A few months later, I would move on, too, to another organization entirely).

On that morning I picked up the tab…but only because 1) I have a limited capacity for showing affection/appreciation otherwise, 2) I was essentially her supervisor on those shifts, so it only seemed right, and 3) we had a vague plan for a future gathering where she would get me back.

That final night, while slapping together a playlist on my laptop, I inadvertently started playing a song by Ghost…or Ghost B.C. if that’s how you want to be…”Year Zero”…which our other shift-mate instantly recognized (the chants of ‘demon’ names are hard to miss if you’re familiar with them—Belial, anyone?).

It didn’t take long for her to fall in love with the band. She messaged me later in the day, saying she couldn’t believe she had never heard of them before.

Yes, ours was a soft Satanism, a casual Satanism…something difficult to fathom for those who take matters of eternal life all too seriously. And out of fear of…or concern for…those very same people, I hesitated in completing this post all those months ago…shelved it, sat on it, failed to put it together once and for all.

I neglected to process the grief in a way that made sense to me…or that made sense to the friendship I had with her. I just added it to the list of other head-kicks and gut-punches I was enduring, ignoring, and stuffing…waiting for a time when I assumed the blows would stop landing, and I might be able to crawl off to a dark corner and heal.

For her part, she was Buddhist…or something like it, I suppose. We enjoyed our dark humor more than we ever engaged in any deeply spiritual or religious discussions. I’ve got no legitimate religious/spiritual label for myself. Raised Lutheran, self-converted to agnosticism. My wife accuses me of believing in ghosts, but denying they (or any other spiritual beings or energy) exist.

True enough…but also false enough.

My co-worker and I shared a penchant for self-destruction, and self-sabotage, largely tamed by age to a kind of resignation that we weren’t really capable of being bad people…although we still kept trying to prove to ourselves, and a few select others, in small, stupid ways, that maybe we were.

She was only seven years my senior…so her death still brings shock…even after the steadily-increasing numbers of deaths I experience each year, many involving people right around her age. But most of those are prefaced with diagnoses and attempts at treatment, along with the actual spectre of specific forms of death…usually cancer of one kind or another…not the vague idea of ‘health problems,’ or a good night’s sleep unexpectedly becoming an eternal sleep.

Her picture…the one distributed on postcards at the memorial service, the lyrics to Patti Smith’s “Memorial Song” (“It is true I heard/God is where you are”) printed on the other side, is propped up on my desk at home…a reminder of…what? Not to blow off life? A reminder of the idea that we’re all gonna die sometime…maybe soon?

desk-cyndee

I don’t know

It’s there.

It makes me smile.

Sometimes it scares me into thinking I better get off my ass…but not necessarily acting on that scare.

But, always, it brings me back to that same, old, silly idea…born of tauntaun rides, and sub-par 80s metal…

(Then) I’ll see you in hell, (my friend).

Imagine Han Solo fronting Grim Reaper, or Steve Grimmet, clad in a red, pleather jumpsuit, heading out into the rapidly-dropping temperature of Hoth…or don’t. I really need to learn how to work with Photoshop to get these images out into the world…or not.

At any rate, “See you in hell” isn’t an insult or a threat, but a badge of honor among those who carry themselves as…well, I suppose ‘antiheroes’ is as close as I’m going to get…the people plugging along, trying to do good in spite of themselves…not bucking to be perfect—because who the hell cares about that?—but struggling to be human in a way that supports all other humans, or as many of them as we can tolerate, and…well…all those other damned living things.

So, yeah…

I’ll see you in hell, my friend.

 

 

 

 

 

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Thanksgiving Greetings from an Ingrate, 2016: Where’s the Mashed Potatoes?

by

J.C. Schildbach, LMHC

Okay…this post has nothing to do with a lack of mashed potatoes.  I just love that line.  It’s become a staple of M and my faux-complaining about, well, really any meal–not just Thanksgiving.  Not that we want mashed potatoes at every meal, but anyway…

A friend recently called me out for not being an ingrate. This via a Facebook post, wherein I was responding to her efforts at working through the 24-days-of-gratitude challenge, or whatever it’s called when you note something you’re thankful for every day throughout November until Thanksgiving. I commented that I had been planning to do the same, although “planning” is perhaps too strong a word…it had occurred to me that I could engage in that challenge, and that I had done it in the past…although, maybe not in November. I might have just chosen 24 or 25 random days, having missed the point entirely…or maybe having expanded the point out in the most glorious of ways by refusing to confine my thankfulness to some specific stretch on a calendar. At any rate, not being an ingrate perhaps takes away from these annual posts, but at least somebody gets the point…that I’m not really an ingrate.

To those who don’t know me, it might be easy to imagine I am such. I enjoy complaining–embrace complaining–as an art form. It’s performance. It’s fun. It’s pure joy, garnering accolades and laughs when in the right company—and disturbed, ‘are-you-okay?’-furrowed-brow looks when in the ‘wrong’ company.

You see, when a big portion of your work is devoted to listening, absorbing, and redirecting the misery of the world, complaining is life-saving, life-affirming, the stuff of thanks.

Or not.

It’s all a matter of perspective. Much of the ‘wrong’ company involves people in my same field, but with a vastly different view of how we need to approach life in order to receive the blessings of thanks, or the thanks of blessings, or whatever life-denying positivity they think will cancel out the darkness of the season…that same darkness our ancestors feared was the impending end of time.

ingrate-thanksgiving

Blurry and off-color…just like misplaced anger!

When I set out to write this annual exercise in ingratitude/gratitude, I tried to think of a good Thanksgiving story from my past.

As I’ve noted in previous ‘ingrate’ posts, I have very few specific childhood memories of Thanksgiving. It was just some day off from school—two days actually–where things were, perhaps, much worse than school…having to put on church clothes only to have a meal that wasn’t particularly interesting.

Perhaps my emotional deficit around Thanksgiving is that it comes between my own balls-out/dress-up/mess-up-the-house-with-monster-decorations/get-candy enthusiasm of Halloween, and the hyper-sentimentality/religious significance/songs/smells/twinkling-lights/PRESENTS!! of Christmas.

How can Thanksgiving compete with that? New Year’s doesn’t fare all that well in comparison, either. Perhaps as a child, I was too close to family, too frequently in contact with them, to realize the value in being able to meet up yet again.  Getting together with family is something that’s become far too infrequent, with siblings spread out across six states, and cousins across at least four more that I know of.

In the absence of the frequent family gathering, I have grown to love, if not the sham history of the holiday, then what the idea of the holiday represents…coming together, helping each other out, recognizing what we have, and why all those elements are potentially so great.

Again this year, my immediate family and I are going out to eat for Thanksgiving–at a favorite restaurant where we’ve enjoyed Thanksgiving dinner before. Again this year, it is a function of our work schedules. That is to say, we could request time off, but, as with every year of the last decade, I work in a 24/7 operation, and M works at a school that caters to doctors (who work in a 24/7 operation). So, we pick and choose which holidays to celebrate more or less enthusiastically.

M was insisting she wanted to make a Thanksgiving meal this year. When the idea was first proposed, I went along with it. Then, at some later time, the kid and I ganged up on her, and pointed out that she had to work the day before, and the day after, Thanksgiving, as do I.  Well, actually, I’m working the day before, the day of, and the day after Thanksgiving, which means a portion of the argument rested on what a pain it would be for me to help do the shopping and cooking and all that, while still attempting to get any sleep–have I mentioned that I work nights?  Coordinating the menu, the purchase of the food, and the preparation of the food, was far more work than we were all ultimately prepared to do, all for just the three of us.

We managed to nail down Christmas plans that would allow more time before and after that holiday to indulge in such excessive amounts of preparation and work, and still get in a fair amount of relaxation, all in the company of family. I’ll hold to my feeling that thanks shouldn’t be a chore, and that holidays should be centered around a desire to celebrate, rather than an obligation to go through the motions of celebration.

I am incredibly thankful, once again, that I have the great fortune to pay to indulge in the hospitality provided by others. And once again, I intend to tip with guilt-laden generosity.

Wherever you are today, I hope you have reason to recognize your situation as one of great fortune as well.

Happy Thanksgiving.

 

Grousing Into The Void

by

J.C. Schildbach, LMHC

I’m in one of those spells where everything writing-wise is coming out all wrong. It’s not writer’s block, as such. I’ve been writing—some. But I get partway into something and it ends up sounding muddled, or just heads off in its own direction.

When writing goes off in its own direction, it can be a pretty great thing—if it works or is at least interesting. Lately, though, it’s just been frustrating and boring. And all of the recent writing that’s chosen its own direction has just walked away. As in, it’s been very pedestrian.

For instance, a few weeks back, I started in on a piece about how the Fifty Shades of Grey movie promotes gross misunderstandings of human sexuality, along with committing the possibly worse sin of being bland. But what I managed to cobble together sounded almost as ill-informed as the screenplay, and nearly as tedious. Not to mention, Fifty Shades wasn’t exactly a hot topic by the time I got around to it.

Another piece on equating authenticity with a lack of personal growth came across as snobbish—and not in an entertaining way. I set it aside.

Writing on anti-Millennial stereotyping in the media led me to make generalizations nearly as pointless as the ones I was attempting to challenge.

The politically-motivated shootings at a Colorado Planned Parenthood Clinic, followed shortly thereafter by the politically-motivated mass murder in San Bernardino, might normally have prompted me to write pieces challenging pro-gun-violence myths. Instead, I squandered some of my time and energy arguing online with pro-gun-violence folks, some so completely irrational that I fear they might be Trump supporters.

Grouse

Grouse…

void

…meet void.

This is not to say that the time and energy I spend writing my blog is anything other than a squandering.  It’s just one that provides me with some focus and enjoyment—or, rather, some enjoyment when I can actually focus. At some level, we all know that if we stop whatever we’re doing, the world will continue on—although we hope a part of the world might be impacted, or at least notice.

Of course, as I’m puzzling through all of this, perhaps I should mention that I got a promotion at work. I love the new role, but it came with a major upheaval in my schedule. I’m still struggling to functionally organize my time away from the job.  That said, the writing travails started to take hold before I was even offered the new position.

At base, I think it might come down to a fear that the time spent writing is wasted, or at least that its standing in the way of me getting other, more practical things done. More and more lately, the writing sessions, have ended up with frustration, leading me to move on, with the intent of doing something ‘productive.’ Unfortunately, that productivity hasn’t exactly materialized.

So for now, I’m going to go do something really productive—like stringing up Christmas lights (much later in the season than I intended) that I’ll have to take down in a few weeks’ time.

Anyway, thanks for reading.

 

Suicide at the Oscars, part one: ‘Crisis Hotline: Veterans Press 1’

by

J.C. Schildbach, LMHC

The topic of suicide came up in at least three acceptance speeches at the latest edition of the Academy Awards on February 22, 2015. (Okay, yeah, I’m late to the party again). And perhaps even more astonishingly, two of those acceptance speeches were actually related to films about suicide prevention hotlines. First up is the documentary, Crisis Hotline: Veterans Press 1. (A post about the short film, The Phone Call will follow soon).

Having spent more than five years working full time for a crisis line, and continuing to work in a position sideways from, and occasionally overlapping with, such work, I can’t help but come to these films with something of a bias.

As a matter of fact, I first saw a portion of Crisis Hotline: Veterans Press 1 on a Sunday morning after coming home from an overnight shift at a call center where the crisis line calls represent only one of many mental health functions with which the staff is tasked. Having spent the bulk of my work week on understaffed shifts, I was perhaps a bit resentful at flipping on the TV to see a scene what Bob Hosk, one of the Veterans Crisis Line supervisors who features prominently in the documentary, described as “five hours here at the hotline” utilizing “about four personnel to help one guy.”

Now, don’t get me wrong. I think it’s great that the resources were available and the effort was made, with (spoiler alert) a positive outcome for an active duty service member in Hawaii.

In the time since I first saw that segment of the documentary, I’ve become more familiar with the workings of the military in addressing the epidemic of suicide among veterans and service members, and will say it is truly impressive to see the complete change that has taken place over roughly the last two decades—from an approach to suicide and mental health issues that could be described as ‘don’t ask don’t tell’ to one of increasing and highly-promoted access to counseling services, to working with suicide prevention specialists and investing in the crisis line depicted in the documentary, among many other avenues.

But, back on that summer morning, knowing that in similar situations (an unknown caller making a vaguely suicidal statement, then hanging up) rather than having a specific staff member on shift to call a special “law enforcement” phone number at cell phone company to get information on the caller’s location by pinging cell phone towers, and then being able to devote ‘five hours and four personnel’ to find the caller, whichever one of us took the call would typically end up trying to call back, and, failing any respone from that, doing a quick Internet search on the phone number (like they show in the documentary) and then making a call to 911 dispatch in whatever location the phone number (probably) originated, to report that somebody had called and threatened suicide—‘no, we don’t have a name; we don’t have an address; we don’t know how they might do it or if they tried anything yet; we don’t know if there are weapons involved; no, we don’t know much of anything about anything—we’re following our protocol, sorry to bother you.’ Then on to the next call—which could range from a hospital social worker inquiring about a client’s mental health history, to a client with chronic mental illness telling us about his dinner, to someone struggling to get help for a family member with a mental illness, to…

In the case of Crisis Hotline: Veterans Press 1, my sense is that the caller from Hawaii was truly coming from a place of desperation, and, perhaps, wasn’t aware of other options available to him, or just what sort of response might kick in as the result of the call he made. He may have thought that by hanging up, he could just drop the whole matter. He may have scared himself simply by voicing the thoughts he was having about ending his life, and so tried to walk away from that.

But beyond my initial reaction to the portion of the film I saw back on that sunny Sunday morning, and my somewhat-tempered-by-time-and-new-information response now, I have mixed reactions to the film.

I’ll say that, overall, I think it’s an excellent depiction of some of the most challenging types of work that happen at crisis lines, and at the Veteran’s Crisis Line Center in particular, which the film notes “is the only call center in the U.S. serving veterans in crisis.” (A more accurate description would be that it is the only call center in the U.S. specifically established to serve veterans, and specifically engaging the particular protocols of that call center in order to assist veterans. Any crisis line in the U.S. will take calls from veterans, and do what they can to help. Call centers affiliated with Lifeline routinely take calls from veterans and their families, in part because the callers don’t always ‘press 1’ when prompted to get transferred specifically to the Veterans Crisis Line Center. And, while Lifeline workers typically will explain to such callers that they have not reached the veteran’s line, they always offer to help.)

Semantics aside, not all calls to a crisis line are life and death—or even crises. Each time the phone rings, it’s not a given that the caller is a someone on the verge of taking her/his life, or a family member of such a person. But you wouldn’t know that from watching this film. You only get the slightest whiff of the lighter calls, when, early on, the camera moves through the call center, the sound of constantly ringing phones and poignant snippets of dialog, reaching the microphones at just the right time: “really proud of you…Where were you stationed?..So twice you tried to hang yourself before?…Do you want me to send someone there for you?…Did you get injured while you were out on active duty?…diagnosed with PTSD?…If there’s anything we can do for you…”

Okay, so those don’t come across as all that light. That particular scene is one of many subtle manipulations used by the filmmakers—layering audio to create a particular impression of an “always on” call center. For the sake of drama, the filmmakers leave out audio involving callers who are just seeking information or non-emergency services. They leave out the repeat callers who are really just touching base and giving a brief synopsis of their day. They leave out those calls having any of a number of angles that aren’t even remotely related to suicide.

The filmmakers also choose to escalate the drama in a completely unnecessary way. For instance, the music, most often quiet, involves drawn-out, high-pitched tones that add to the tension viewers are meant to feel—as if trying to talk a stranger out of suicide isn’t drama enough.

I love this woman: Maureen--Crisis Line Responder, Extraordinaire

I love this woman: Maureen–Crisis Line Responder, Extraordinaire

On top of that, the final segment of the film takes place on Christmas Eve. The scene opens with outside shots of the call center at night, American flag flying, trees wrapped in colorful, twinkling lights, as a soft jazz version of “Have Yourself a Merry Little Christmas” plays–the song adding a sting of dark humor with it’s ‘all our troubles will be miles away’ and ‘let your heart be light’ emotions. The timing of the scene was undoubtedly selected because of the heightened emotions many viewers are likely to have around the idea of a “Christmas miracle” or notions of family togetherness at the holidays. But it also serves to reinforce the popular, but ill-informed, notion that ‘the holidays’—Christmas in particular—are a time of heightened depression and increased suicide, an impression reinforced by a shot of the notepad where the crisis responder has written a quote from a suicidal veteran: “Holidays are depressing.”

There are other things that could be taken as manipulation, but which I think were not only clinically sound decisions, but also place the focus where the documentarians wanted it: on the people working at the crisis line. Not hearing the callers, for instance–while likely done just as much for clinical reasons, as for legal and artistic reasons–provides for greater control over how the information will be presented to the audience, and also removes any impressions viewers might have of the callers based on their voices, or the tones they are using.  While I obviously don’t know the specifics of how any of the callers in the documentary spoke or sounded, anybody who has spent time working on a crisis line knows that many of the callers can come across in a way that, shall we say, challenges empathy. Responders need to be aware of the potential biases they bring to calls, and need to develop skills for de-escalating and connecting with difficult callers. At any rate, difficult or not, hearing the callers’ voices would create a completely different film.

Still, one of the most valuable aspects of the film is in giving voice to the crisis line responders, not only in their moments of calm where they appear to be completely in control, but when they are giving voice to frustrations as well. During one call, Robert, a veteran himself, complains that the response time from police is “ridiculous.” In a separate interview segment, Robert expresses the anger that crisis line responders can feel toward callers: “How dare you take your own life?” But part of the reason Robert’s rawness comes across in a potentially endearing fashion is that the filmmakers also let him speak about his struggles with questions of his own abilities, whether or not he has made the right decisions, or whether he made them in time—questions born of situations where the interventions failed.

There are other responders in the film with whom I had a harder time connecting—feeling a sense of kinship, or understanding their particular reactions, or the ways they tried to connect with callers. I don’t want to dwell too much on my snotty, hypercritical reactions, though—or even mention them in any specificity. For one thing, I know only a very limited amount about what was happening in those particular situations. And I don’t know how those people move about in daily life, or in their routine work at the crisis line.

But why I will most back away from potentially harsh or nitpicky-sounding criticism of any of the responders is because I can’t imagine having to work a crisis call with the knowledge that cameras are on me, and that whatever I do could end up on HBO.

That said, there is one responder in particular, Maureen, who comes across as the undoubted ‘star’ of the film. Little is explained about Maureen or her background, except, perhaps, that she reveals that she has sons, as she is complimenting a caller on her handling of a difficult situation.

Beyond that, Maureen demonstrates the perfectly complicated balance of compassion and detachment that is rare in crisis line workers. She is able to connect to the callers, but does not get visibly drawn into the drama, despite mentioning calls that ‘stay with you.’ Early on, we hear her say, “It’s ultimately the veteran’s decision if they are going to live or die…and as a responder, you have to have a really good grasp of that.” Truer words have never been spoken.

Maureen is able to deliver lines of perfect connection to callers–lines that may seem odd to those unfamiliar with such situations. After asking a caller about how his friend (who died in combat) would react to news of the veteran’s suicidal intent, she listens for a bit, then says, “He’d kick your ass? So he’s a good friend.” Maureen is able to drably ‘contract for safety’ with callers, getting them to promise that they at least won’t kill themselves while they are on the line with her, and then works to expand on that promise.

Maureen is the responder featured in the final scene of the movie—the one that takes place on Christmas Eve. Against this backdrop of heightened emotion, she is tasked with drawing a soldier with a gun out of the desert, and back to his parents, despite much of his life unraveling. She is further challenged by limitations on her involvement—having to direct the veteran’s mother on how to bring him home, and then sitting silently, listening, and hoping it all works out.

In the end, Crisis Line: Veterans Press 1 leaves much to contemplate—whether from a clinical or technical perspective—or any of the other myriad perspectives that could be brought to the film. It is incredibly effective in that it is able to provoke a range of emotions, and could, potentially, be used as a tool for training crisis line workers and volunteers, service members and their families, or really anyone who wants a better understanding of how crisis lines work, how the mental health system can be accessed, or how the military is responding to concerns of suicide among its ranks.

It remains to be seen if the film will help draw more workers and volunteers to crisis services, or perhaps scare more of them off. And this is where I have the most difficulty with the film. How much is too much when trying to convey the intenstity of real-life situations? What level of manipulation and film-making technique serves to create understanding, and what level serves to drive only emotional response?

Granted, the vast majority of people who see Crisis Line: Veterans Press 1 will never work in a crisis line call center. But, there’s always a chance they might need one.

So (obligatory ending)…

If you are concerned that somebody you know may be struggling with thoughts of suicide, call (or get them to call) the National Suicide Prevention Lifeline at 1-800-273-8255—Veterans Press 1.

The Old Normal

by JC Schildbach, LMHC

Just how the hell does anybody on a regular Monday-to-Friday workweek ever get anything done?  I mean, aside from work work?

For the entire month of November, and the first few weeks of December, I was on a Monday-to-Friday, 8-to-5 schedule. This was only the second time in over 20 years that I had been on such a schedule—the previous time being the training period for a new job, just like the most recent episode of “normalcy” was.

I was commuting at the same time as everybody else (read: taking almost three times as long to get to and from work as the trip should actually take). I was having lunch at the same time as everybody else (god help anyone who only has a half-hour at noon to try and get out to procure some nourishment—thankfully, I only had to do this a few times, and had a full hour for lunch).

I was doing my grocery and other shopping when everyone else was—either on my way home after work, or on the weekends—when the stores are at their peak crowdedness.  Navigating a single aisle at the grocery store, waiting for people to make their decisions and get out of the way, or waiting for them just to notice they were blocking the entire aisle by hanging onto a corner of their angled grocery cart while staring at a wall of spaghetti sauce, was trying.  And forget all of those little errands—running to the post office, for example—the extra-long lunch-hour or Saturday morning lines—uggh!

Everything seemed to take much longer than it should have. Everywhere seemed so much more crowded than it needed to be.

I felt crushed by this tyranny of scheduling normalcy, this chronometrically-imposed and enforced bottlenecking. Just how do people do this, day in and day out? How do they ever get anything done beyond the extra-slow commutes, and the added imposition of everybody else doing the same damn thing at the same damn time—or at least trying to?

Aaaaagh!  I feel like a stretched-out, messed-up face pinned down by a floppy clock!

Aaaaagh! I feel like a stretched-out, messed-up face pinned down by a floppy clock!  Or is that a decapitated, vomiting swan, wearing a fake beard pinned down by a floppy clock?

I forced myself through the daily tasks I absolutely had to complete, and blew off the rest for the weekend, and then blew them off again, as if maybe this next week I wouldn’t feel so tired after spending most of my waking hours devoted to work and the process of getting there and back.

Weekends felt short. By the time I felt rested and started in on that to-do list, the to-do list was necessarily pared down a great deal, with Sunday evening and Monday morning hanging over my head–sending me into to-do list despair.

I suddenly understood the asshole-ish behaviors of driving a bit too fast and recklessly to get that parking spot, the feigned ‘oh-I-didn’t-see-you-and-that’s-why-I-let-that-door-swing-shut-in-your-face-rather-than-chancing-you-getting-ahead-of-me-in-that-long-f***ing-line,’ the impossibly tight closing of the gap between one’s own car and the one just ahead to prevent anyone from merging and making the commute take even nine seconds longer. I suddenly understood these behaviors. I did not engage in these behaviors. It seems it would take years of this ‘regular workday’ harshness before one would be pushed to such extremes.  But I was just a tourist here in normal-land. I knew I would be leaving before long. I didn’t have to act that way.

The particulars of the situation helped me appreciate what I had experienced for so long, in terms of scheduling and work. When my kid was little, I was self-employed, working out of the home. All that time, getting her to and from school was a pleasant walk or a short drive—a little break in the work day.  I could attend to tasks at my own pace, except in the few ‘busy seasons’ when all hell broke loose and I had to hunker down for a few weeks or a month, working every waking minute, except for those quick trips to the school and back.

Later on, when I angled toward jobs in the mental health field that required shift work, it was so much easier to work all night, or in the evenings, and take care of all those other daily tasks when very few others were. There were several periods when I was allowed to knock out 40-hour workweeks in three days, leaving the rest of the week free—or for much of that time, free to go to grad school or work a second job. At any rate, I wasn’t tied to the same schedule as the bulk of the rest of the working world.

I’m now back to a bit of the old normal—a work schedule that helps keep me from needing to move about too much in the peak hours of the work-imposed world. I’m thankfully off of graves—not that I hated that—but it takes a toll, especially when you’re trying to spend some normal day hours with family and friends, and working occasionally at a second job that takes place during the day.  I’m back to having a few weekdays and a weekend day off, a schedule of four tens–and with no second job sapping hours from my days off.

I’m trying to get back to where I can spend my days off getting some stuff done—like writing on a sort-of-regular basis, or getting back to those projects around the house that are perpetually sidetracked or shelved. But I’m also having to undo a number of bad habits and weird practices that still linger after years of being up all night most nights, and sleeping during the day. Hell, I started writing the rough draft of this just before 2 a.m. since I fell asleep early and then couldn’t stay asleep through the night.

Still, the adjustment to the new schedule isn’t nearly as rough as the adjustment to the ‘normal’ world of the rest of the day-walkers. I’m settling in to something of the old normal—awake and working during the days—just not always when the rest of you humans are clogging everything up.

While I enjoyed the training I was doing, it wasn’t really all that fun visiting your overcrowded, poorly scheduled world, and I definitely wouldn’t want to live there.