Happy Halloween 2019! – The New Decoration

by

JC Schildbach, LMHC

The Octopus Project started last year, but in the final lead-up to Halloween, I realized I just didn’t have the time to bring it all together. Hell, I almost didn’t have enough time to bring it all together this year.  In part, the lack of time this year was because I spent a ridiculous amount of time figuring out how to make my vampire ghosts more reflective (liquid rubber with inlaid ‘airport grade’ glass beads was the answer — the resin experiments definitely did not work).  I also had to completely repaint the pink demon due to the knots in the plywood bleeding through the paint — not sure if that was a problem of the paint or whatever chemicals they treat plywood with.

Octo 1

At any rate, the inspiration for the octopus came partly from the kid destroying the back sliding-glass door.  This freed up the ‘window panel insert’.  That is, all the windows on the front of our house, along with the back sliding glass door, have a metal insert in between the two layers of glass in order to make it look like there are several, roughly one-foot-square window panes. I kinda hate these inserts.

I also had a 5-foot x 4-foot painting that I did in high school — the kid and one of her friends were going to turn it into something a few years back, but only got so far as whiting it out. I had thought several times of painting it to look like a window with some sort of monster inside, but with the 6-foot x 3-foot metal window/door insert, I thought I could make it look like something was busting out of a window.  But what?  In the course of scribbling out ideas, the thought of tentacles hit me. I sketched a few tentacled monsters, but decided a giant octopus was the direction to go. I got the canvas done last year just before Halloween.

Some very thin ply-board that was here when we bought the house seemed like a good way to maybe give the tentacles a bit of motion, as the board is not particularly sturdy (why did I think this was a good idea?).  An outlet hole had been cut out of it, and it was cracked in places, but I managed to sketch out one large tentacle and fit two smaller ones in the remaining spaces, away from the damaged parts of the board.  Over the course of working on the project, I had to think and rethink how to put the pieces together. Ultimately, it was clear I had to attach a frame to the frame on the canvas in order to assemble everything in a way that looked more-or-less like I wanted.

Octo 2

Making this all come together was something of a nightmare, and involved me out in the cold last night having to rig up various bits of fishing wire, nails, and screws to keep things in place. I have no idea how I’m going to store this thing — just how much of it I have to take apart before I can fit it reasonably back into the workshop.  There are six different parts — eight if you count the 2 x 4s on the garage door that it’s hanging from — and I dread the idea of having to detach and reattach at least some of them.  Now that it’s all together, I really want to get some more of that ply-board, and make that tentacle on the right much bigger.  Maybe next year.

Happy Halloween.

The Texas Chainsaw Ice Sculpting Contest

by

JC Schildbach, LMHC

TX snow 7

— With special thanks to Funko — their Dorbz line — which I have zero permission to use.

I saw this Leatherface (from ‘Texas Chainsaw Massacre’ — also, no permissions here) toy online years ago, and immediately thought of doing a photo like this, so bought it in what was certainly a bout of intoxicated Internet purchases.  I finally got around to taking the photo thanks to me getting off my ass on one of those sunny days following a rare Seattle-area snowstorm…although such snowstorms have not been nearly rare enough over the past few weeks.  Oh, yeah…not sure who manufactured the ice cube tray that allowed me to put these ‘ice ducks’ in the pic, but I don’t have any permissions from them either.

Thanksgiving Greetings from an Ingrate, 2016: Where’s the Mashed Potatoes?

by

J.C. Schildbach, LMHC

Okay…this post has nothing to do with a lack of mashed potatoes.  I just love that line.  It’s become a staple of M and my faux-complaining about, well, really any meal–not just Thanksgiving.  Not that we want mashed potatoes at every meal, but anyway…

A friend recently called me out for not being an ingrate. This via a Facebook post, wherein I was responding to her efforts at working through the 24-days-of-gratitude challenge, or whatever it’s called when you note something you’re thankful for every day throughout November until Thanksgiving. I commented that I had been planning to do the same, although “planning” is perhaps too strong a word…it had occurred to me that I could engage in that challenge, and that I had done it in the past…although, maybe not in November. I might have just chosen 24 or 25 random days, having missed the point entirely…or maybe having expanded the point out in the most glorious of ways by refusing to confine my thankfulness to some specific stretch on a calendar. At any rate, not being an ingrate perhaps takes away from these annual posts, but at least somebody gets the point…that I’m not really an ingrate.

To those who don’t know me, it might be easy to imagine I am such. I enjoy complaining–embrace complaining–as an art form. It’s performance. It’s fun. It’s pure joy, garnering accolades and laughs when in the right company—and disturbed, ‘are-you-okay?’-furrowed-brow looks when in the ‘wrong’ company.

You see, when a big portion of your work is devoted to listening, absorbing, and redirecting the misery of the world, complaining is life-saving, life-affirming, the stuff of thanks.

Or not.

It’s all a matter of perspective. Much of the ‘wrong’ company involves people in my same field, but with a vastly different view of how we need to approach life in order to receive the blessings of thanks, or the thanks of blessings, or whatever life-denying positivity they think will cancel out the darkness of the season…that same darkness our ancestors feared was the impending end of time.

ingrate-thanksgiving

Blurry and off-color…just like misplaced anger!

When I set out to write this annual exercise in ingratitude/gratitude, I tried to think of a good Thanksgiving story from my past.

As I’ve noted in previous ‘ingrate’ posts, I have very few specific childhood memories of Thanksgiving. It was just some day off from school—two days actually–where things were, perhaps, much worse than school…having to put on church clothes only to have a meal that wasn’t particularly interesting.

Perhaps my emotional deficit around Thanksgiving is that it comes between my own balls-out/dress-up/mess-up-the-house-with-monster-decorations/get-candy enthusiasm of Halloween, and the hyper-sentimentality/religious significance/songs/smells/twinkling-lights/PRESENTS!! of Christmas.

How can Thanksgiving compete with that? New Year’s doesn’t fare all that well in comparison, either. Perhaps as a child, I was too close to family, too frequently in contact with them, to realize the value in being able to meet up yet again.  Getting together with family is something that’s become far too infrequent, with siblings spread out across six states, and cousins across at least four more that I know of.

In the absence of the frequent family gathering, I have grown to love, if not the sham history of the holiday, then what the idea of the holiday represents…coming together, helping each other out, recognizing what we have, and why all those elements are potentially so great.

Again this year, my immediate family and I are going out to eat for Thanksgiving–at a favorite restaurant where we’ve enjoyed Thanksgiving dinner before. Again this year, it is a function of our work schedules. That is to say, we could request time off, but, as with every year of the last decade, I work in a 24/7 operation, and M works at a school that caters to doctors (who work in a 24/7 operation). So, we pick and choose which holidays to celebrate more or less enthusiastically.

M was insisting she wanted to make a Thanksgiving meal this year. When the idea was first proposed, I went along with it. Then, at some later time, the kid and I ganged up on her, and pointed out that she had to work the day before, and the day after, Thanksgiving, as do I.  Well, actually, I’m working the day before, the day of, and the day after Thanksgiving, which means a portion of the argument rested on what a pain it would be for me to help do the shopping and cooking and all that, while still attempting to get any sleep–have I mentioned that I work nights?  Coordinating the menu, the purchase of the food, and the preparation of the food, was far more work than we were all ultimately prepared to do, all for just the three of us.

We managed to nail down Christmas plans that would allow more time before and after that holiday to indulge in such excessive amounts of preparation and work, and still get in a fair amount of relaxation, all in the company of family. I’ll hold to my feeling that thanks shouldn’t be a chore, and that holidays should be centered around a desire to celebrate, rather than an obligation to go through the motions of celebration.

I am incredibly thankful, once again, that I have the great fortune to pay to indulge in the hospitality provided by others. And once again, I intend to tip with guilt-laden generosity.

Wherever you are today, I hope you have reason to recognize your situation as one of great fortune as well.

Happy Thanksgiving.

 

Happy Halloween! The New Decorations: 2016

by

J.C. Schildbach, LMHC

We’re breaking records for October rain here in this part of the world–as well as having just generally rotten weather–so much so that I kept blowing off putting up the decorations.  I still haven’t gotten the lights set out–the big LED lamps that illuminate the whole Halloween display.  I’ll get to that as soon as I’m done posting this…and well before I dry out from having just gone out to hang the new decorations.  (Yep, taking it down to the wire, despite Halloween and tricks and treats falling on a school night plagued by terrible weather).

Both of the new pieces are based on drawings the kid did many years ago, when she was about five.  Of course, there are modifications.  I’d post images of the source material, but I didn’t ask her permission for that.  Maybe later.

deca-hand

What is it?!?  Isn’t it obvious?

So, the ten-armed creature here (which was a twelve-armed creature in its original form) is a random monster from the days when the kid would sit around drawing picture after picture, or very involved pictures with numerous characters.  So far as I know, it has no name, and isn’t any particular kind of beast.  I always envisioned it as floating about, or perhaps ‘swimming’ through the air.  At any rate, it was made to hang from our plum tree.  It’s about six-and-a-half feet tall.  And, in case you’re wondering, yes, cutting something like that out of a single piece of 4′ x 8′ plywood is rather time-consuming.

new-witch

With an actual, aged broom…y’know, for realism!

The witch here was taken from my favorite material object in the entire world…a construction paper haunted house that the kid made all those years ago, with numerous drawings of monsters glued to the outside.  Her witch was standing, not flying on a broom.  And I added the gym socks.  But I think I retained the spirit of the original pretty well.

Happy Halloween, everybody!

Really Lowes? and Sherwin Williams? and HGTV? Mocking Mental Illness as an Ad Strategy

by

JC Schildbach, LMHC

Lowes decided to announce its rollout of Sherwin Williams’ line of “HGTV Home” paint by crafting an ad that plays on popular ideas about some of the most well-known artists in history (and pop culture), each jealously challenging the notion of who is “the most legendary name in paint.”

Well, okay, “Mr. Happy Little Trees” Bob Ross doesn’t come across as jealous.

But Leonardo da Vinci, Andy Warhol, and Michelangelo all do.

Vincent van Gogh just comes across as…well, you can watch it here:  

Get it? It’s funny because you think he’s saying “what?” because he cut off his ear. But then you realize it’s actually funny because van Gogh is suffering from psychosis or whatever would make him talk to a pigeon.

Hilarious—right?

He talks to pigeons.  How clever.

He talks to pigeons. How clever.

Of course, nobody diagnosed van Gogh with a particular mental illness during his lifetime, particularly not from a current understanding of mental illness. Perhaps the most popular theory of van Gogh’s troubles is that they stemmed from Bipolar Disorder. Whatever the case, eventually van Gogh died of complications from a self-inflicted gunshot wound, following numerous other episodes of emotional difficulties and self-harm.

I want to be clear that I don’t have any particular axe to grind with any of the businesses in question (even if I should for one reason or another). I shop at Lowes regularly.  And even though Sherwin Williams has that terrible “Cover the Earth” logo, cover the earth all of the paint we’ve used in our home has come from our neighborhood Sherwin Williams store, except for the paint in the upstairs bathroom, and the stain on the deck, which we got at Lowes. And I watch HGTV (and the DIY Network) enough that M wishes I would just get off the damn couch and make our house more beautiful (or at least just quit talking about all those projects and do them).

Still, it’s disappointing to see that the big punchline for the combined Lowes-Sherwin Williams-HGTV commercial involves mocking, specifically, somebody who suffered from mental illness, and, more generally, the idea of psychosis, particularly given that the commercial was rolled out at the beginning of Mental Health Awareness Month:  NIMH’s “Mental Health Awareness by the Numbers”

I suppose I could also point out that all of the artists in the commercial are white males. But given how the myriad options for art “jokes” involving white male artists were handled, I don’t have a lot of faith that a woman artist, or a non-white artist, would have fared much better when reduced down to a humorous reference that might be commonly understood.