J.C. Schildbach, LMHC
I’m not a big fan of Groundhog Day—the holiday or the movie.
As a kid, the holiday just confused me. Why a groundhog? Can’t you just see if you cast a shadow yourself? Or if a bush, a stone, a dog…anything casts a shadow? I wondered at the particular properties of groundhogs, and why their shadows might be somehow different than those of any other thing on the planet. I suppose I never quite felt like anybody adequately explained the magical properties of particular varieties of burrowing rodents for me to really get behind the holiday or its alleged meaning.
The lack of a real explanation is one of the things that keeps me from enjoying the movie, Groundhog Day as well. What caused this to happen? And why is the resolution what it is? What would make any magical powers of time control so interested in getting Bill Murray’s character, Phil, together with Andie MacDowell’s character, Rita? Perhaps a resident of Punxsutawney is one of the aliens from Edge of Tomorrow who accidentally infected Phil with the time control powers. But that can’t be it, because then Phil would’ve had to die every day, and he only died on some of those days.
Beyond that, the movie just follows the theme of so many movies from the 1980s about how great small-town America is, and how some cynical guy from the big city needs to learn to appreciate that. As for Murray’s arc in the movie, it’s rather similar to Scrooged.
The audience is also expected to root for Phil to ‘get the girl,’ even after he uses his powers of time repetition to manipulate one of the local women into sleeping with him, and then trying to manipulate Rita into falling for him by pretending to like everything she likes—information he gathers from her in conversations she will never remember.
Ultimately, Phil has to get through one day being kind and helpful, rather than acting like his usual, egocentric self (but, again, why is this the resolution—and would it really matter whether Rita decided she liked him or not?). But that last, single day of generous Phil doesn’t feel much different from the videogame-style resets that go on through the rest of the movie, or in Edge of Tomorrow, and hardly seems like a long-term change to his character as much as it feels like him resigning himself to being a decent human being for one day if he ever wants to get out of Punxsutawney. How is his decency not just more manipulation—another possible route out of the repetition he is trapped in?
Many people have labeled Phil’s situation in Groundhog Day an “existential dilemma” or otherwise termed the movie as existentialist. Properly speaking, though, if Phil’s was an existential problem, he wouldn’t have a long period of being able to make whatever decisions he wanted with no thought, responsibility, or consequences at all, only to be pushed into making the “right” decisions–as judged by whatever power kept him perpetually trapped in Punxsutawney on a particular day–until he did what was deemed correct by that power and the “spell” was broken. He would be responsible for whatever he did, and nothing would compel him to do anything.
Still, it’s something of a tribute to Groundhog Day, the movie, that it has become synonymous in our culture with repetitive behavior or situations. And it is perhaps the fantasy that we could relive a particular day until we did it right, managing to impress everyone around us, and connect with our one true love in the process (as well as the opportunity to indulge in a great deal of irresponsible behavior along the way), that has led it to this level of popular recognition. Or perhaps it’s the underlying idea that we are trapped by our own behaviors in repetitive cycles, and that we can change ourselves in order to achieve a better life—along with the wishful notion that we need to be good people if we really want to get what we want.
After all, the idea of breaking out of repetitive cycles and habits, or perhaps of creating better habits and repetitive cycles, along with being better people…good people…our best selves, is what underlies much religion, philosophy, and, yes, therapy.
We all struggle through our own behavioral patterns, habits, and the potential sameness of our days, the rut of weeks, months, seasons, and years. But no bizarre fluke of time is going to trap us in a loop and push us to do things differently and become better people, or pursue what we want. That’s on us.
Whatever I might think of him, Phil found out that it wasn’t a groundhog, or the celebration that surrounded a groundhog’s shadow, that was at the core of his problem. Rather it was his own shadows, the darkness he threw out into the world.
So maybe Groundhog Day is the perfect time to look around at our own shadows and what they say about our forecasts—how much more winter we may have in store—and then think about what, if anything, we want to do to change that.
Happy Groundhog Day.